What is the problem & the opportunity?
Well established workflows exist from production through packaging, presentation to final content distribution. Each discipline in the chain has come to rely upon tried, tested, and above all, unified standards. Standards that are well understood, work together and that allow for free interchange of content at each juncture without technical issue and the fear of unknowns.
The advent of HDR and Wide Color Gamut technologies means change to custom and practice. New workflow rules must be established and honed. The problem is that in this early adoption phase, competing standards are anything but unified. This present the industry an opportunity to establish an agreed upon commonality between the current incompatible array of standards and self interest.
The solution to harmonious, technically correct and agile content production through to distribution is proposed here in the form of an HDR Reference White standard.
Please read on…
Report ITU-R BT.2408 highlights the need for the Unified Reference White Level which is suitable for both HDR systems (HLG & PQ) and provides examples of such values. Moreover, it stipulates that due to the distinctively large headrooms in HDR systems there should only be single Reference White Level, not two separate ones for Diffuse White and Computer Graphics.
The dotted rounded rectangle in the central part of the diagram designates the “Target Device Agnostic Environment” within the HDR/SDR content workflow.
It involves a large group of important processes and procedures:
Reference White QA/QC Point, Content Levels Metering, Content Levels Alignment, Routing & Secondary Compositing,
Ads & Graphics Insertion, Up-, Down- and Cross-conversion,
Transcoding & Distribution, Insertion & Checking of Test Patterns.
All such processes require normalized video data, ideally in the same format with the same white level, though mutually convertible formats with different, but known, white levels are also acceptable.
A commonly accepted Reference White standard is needed for product verification, content production, post-production and distribution.
It should be noted that such unification and normalization should not affect or restrict any creative intents of content originators, e.g. camera levels and gamma trims, color effects, associated metadata instructions, or display manufacturers efforts on enhanced HDR / SDR images rendition.
Due to fundamentally different PQ and HLG approaches, very different transfer curves, etc. some experts express the opinion that it is nearly impossible to find common ground.
We strongly disagree with this over-pessimistic opinion.
HDR & SDR, PQ & HLG:
Long Live Mutually Beneficial Peaceful Coexistence!
Dynamic Range Conversion – Necessity & Options:
Mixed HDR/SDR environments require software and hardware engines for verification, optional manual and/or automated enhancement, up-, down-, and cross- conversion within and/or between all HDR/SDR formats and color spaces.
Recommendation ITU-R BT.2100 specifies the parameters of PQ and HLG transfer functions. It also specifies HLG Reference White Signal Level (RWSL) as 75% of the signal range. The Recommendation does not specify PQ Reference White, and it does not specify HLG Reference White Light Level (RWLL).
Recommendation ITU-R BT.2111 specifies the parameters of color bar test pattern for HDR-PQ and HDR-HLG systems and it does specify PQ and HLG Reference White Signal Levels.
Via OOTF function (display gamma = 1.2) a 75% HLG signal level translates to the relative light level of the ideal HLG display 0.203. By scaling this relative light level to absolute nits in case of widely used 1000 nit Target Display Maximum Brightness (TDMB) we get 203 nit.
Signal Level 73%, commonly used for practical HLG cameras setup, is associated with 90% Reflectance Test Chart (Diffuse White Reference). Using this test chart camera Signal Level, estimated on a waveform monitor screen, is adjusted to about 73% – a bit below the 75% level (Computer Graphics Reference White).
However, it is highly undesirable to use two references.
A group of the renown industry experts proposed new Unified HDR Reference White values equally suitable for PQ and HLG systems:
200 nits PQ Light Level (58% RGB Data Level)
20% HLG Relative Light Level (75% RGB Data Level).
Proposed Solution Key Values
|Relative Data Level||%||58||75|
|10 bit Narrow Range Data||integer||572||721|
|Relative Light Level||%||2.0||20|
Benefits and advantages of the proposed solution
- The HLG display Light Level 20% corresponds to the signal level of 74.7%, which is conveniently positioned between two widely used reference values of 75% (“CG White”) and 73% (“Diffuse White”), thus, this single level can be used for all cases.
- For the widely used 1000 nit HLG display 75% signal level means 200 nit (same as PQ Reference White)
- A 200 nit level is close to the middle point of the typical White Levels range currently used in PQ production; this range is reported to be about 145 .. 250 nit.
- A 200 nit level is safely below 300 nit, often quoted as a typical White Level of SDR content displayed by consumer grade HDR displays, and effective peak level of typical computer monitors and smartphones.
- The proposed HLG & PQ Reference White does not rely on any particular display type or display gamma.
The 1000 nit TDMB value is used only for HLG levels scaling purposes, NOT as a target HLG device specification.
This practical example shows why Unified Reference White is especially useful for live sport events coverage, when HLG and PQ versions are created simultaneously in real time.
More details about the Unified HDR Reference White, the QA/QC tools and the test patterns relying on these levels can be found in:
Thank you, Supporters & Contributors:
- Roderick Snell, co-founder of Snell & Wilcox and winner of several Technical Emmys and Queen’s Awards
- Florian Friedrich, CEO and CTO of FF Pictures GmbH
- Josef Marc, a member of SMPTE’s HDR committee
- Maxim Levkov, principal engineer, Ellation, Inc.
- David Tasker, global industry expert, engineer, trainer & technical awards winner
- Peter Wilson, founder of High Definition & Digital Cinema Ltd, technical awards winner
For the HDR and WCG analysis tools and levels alignment procedures see posts in the VideoQ Analyzers and VideoQ Test Patterns categories.